They're literally paying a paedophile to use his music in a movie about the consequences of child abuse. He’s fighting to be the most human and at the end of the movie when he’s finally taking on Joker and the truest part of himself even if it’s the most chaotic and violent and filled with rage. He’s trying to be compassionate as he watches the woman being taunted.Everything we tried to do there is to try to draw the audience into Arthur’s point of view.The shots of Arthur are very close but on wider lenses. There are scenes that are intentionally static. Expect extremely graphic killings and blood spatters/sprays, guns and shooting, and stabbing. Our camera operator Geoffrey Haley is one of the best in the world and he was on the train by himself with the actors.The environment we set up was a 360 one. Every time he goes home, he’s trying to be the better part of himself. We had to bring all those things back into the image to replicate that look, including adding green.The stairs are such a part of Arthur’s world and his ascension of the character and where he’s going. Or, you’d see him lost in a sea of humanity early in the movie.In scenes where he was alone, we’d show him in isolation. We wanted as much as possible to find a frame that spoke emotionally to the moment. What can sometimes happen with a wide lens is that distortion can suddenly be off-putting and distort the faces and features. Pretty much any time a film or TV show uses a musician's track, that musician (or the musician's family, or management company, if they've passed) is paid out in royalties. The look was motivated by the authenticity of what the subway cars looked like and photographed like back in the day. We wanted the attack to feel like what it is to be surrounded and to feel what he’s feeling.From a tactical standpoint, it was one of the more technically challenging scenes in the movie. HOSPITAL ROOM - DAY / JOKER: Hi. INT. We could shoot him high or low. We used these 15-feet tall LED panels that ran the length of both sides of the subway car, so we could put in the moving environment of that subway.On the stage, we could have the subway stop at platforms, we could leave platforms and it could pass through different environments that would allow the lighting to change.I was sitting in a dimmer board and I’d layer out all these elements on the panel that I could control at the push of a button. Since How does it work, exactly? The “Joker” script makes it clear the scene was originally conceived to show Arthur having a full on panic attack and meltdown. It's far darker and more violent than other takes on the character. I'm off the fence - this movie is immoral bullshit. In part, it’s also one of those transitional scenes in which Joker and Arthur are by himself.
Framing the Scene: How the camera work brings the character's inner life to the screenSher breaks down the stair dance that comes towards the end of the movie, once Fleck has fully transformed into Joker and does his “Victory dance,” “descending into his own darkness.”There was definitely an intent on this movie to try to create frames that were tension-filled. I could create this blast of light from a train passing by or a station passing by which created this silhouette.The colors in the movie are a heightened reality sense of what the city felt like back then and the way they photographed on film, even though we shot digitally.If we were outside, we would use sodium vapor lights with orange and a bit of green. Why the fuck did they include a song by a convicted pedophie!? It’s a dance scene and it’s not done in the same brooding fashion as the beginning of the movie.There is a lot of imagery we repeat, but you see the arc of the character just by juxtaposing those two scenes.With that scene, he’s at his most joyful.
Read Next: Sound Editors Adapt to a New Normal as They Work From Home Amid the Pandemic There are scenes where he’s with a lot of people. I'm off the fence - this movie is immoral bullshit.Not a good look. In the DCAU, few voice actors managed to garner as much critical acclaim as Mark Hamill's Joker. Even the shot of the boys is from him sitting in his seat. The blood smile he puts on doesn’t have that same sense of joy as in that scene. In this case, it’s one on three.It’s meant to be in a similar place as it starts in that scene. In fact, Gary Glitter (his real name is Paul Gadd) is one of Britain's most-hated public figures. The Controversy Around the 'Joker' Stair Scene Song, Explained By Gina Vaynshteyn. It is located at West 167th Street, which connects Shakespearan and Anderson Avenues. Even at his lowest point, when that scene starts and he’s just been fired from the job that he really likes, he’s trying to connect with the woman across from him. In February of 2015, Gary was found guilty of raping a young girl under the age of 13, attempted rape, and four counts of indecent assault. Todd said the idea behind this scene was a fever dream.In the world of “Joker” where there are a lot of things that could be questioned as to, “Is this real or fake?” this is a pivotal moment in his life where he crosses the line into the violent act. We looked at shooting it on a bluescreen. These stellar scenes prove that point. Since the film's release, fans had ventured to New York City to visit the site, where the now-iconic scene of Arthur Fleck/Joker dancing on the flight of stairs was filmed. 0. Joker, often voiced by Mark Hamill, is a highlight of the DC Animated Universe. All of those things, I could then choose to shut all the lights off and create a flicker inside the car. We are all good, and we all have the potential to be bad. Maybe it's not too late for Warner Bros. to re-edit the scene. Share Share Tweet Email. We looked at doing it with lighting against black, and in the end, we came up with the solution. "Gary Glitter gets royalties for Joker. The scene involved Joker seemingly teaming up with Enchantress at the end of the film.